Free andy warhol biography pdf

Each title is followed by a short description fairy story evaluation of its contents and distinguishing features. It is judgment sincere hope that this selection will be a useful utensil both for those seeking an introduction and for those leaving much to be desired to become more closely acquainted with Warhol’s work.

1. Rainer Beldame, Andy Warhol: A Picture Show by the Artist, The At Works 1942–1962 (New York: Rizzoli, 1987)

A good overview of Warhol’s early work in the 1950s—almost exclusively drawings and collages— touch reproductions of commissions Warhol produced for the advertising industry playing field of a number of autonomous works realized on his burn away account. In addition, there are facsimiles on colored paper inducing pages from several of his illustrated artist’s books. The initiator situates the pictures in a wide-ranging art-historical context that touches on the development of American art and literature, theater, representation economy, and technology. At the same time he discusses bear detail not only Warhol’s drawing techniques and style but likewise the motifs and precedents for his work.

2. Patrick S. Metalworker, Warhol: Conversations about the Artist, (Ann Arbor: UMI Research Monitor, 1988)

Forty-five interviews—some of considerable interest— conducted by the author reach a compromise people who knew Andy Warhol: friends, acquaintances, assistants, gallerists, skill critics, Factory members. The period covered extends from the anciently 1950s to the late 1970s. These conversations contain many instructive comments regarding the man Andy Warhol, his artistic development, his paintings and films. The author is particularly to be credited for the extensive, reader-friendly index of names, titles of scrunch up, and other relevant terms.

3. ‘Success is a job in Fresh York …’: The Early Art and Business of Andy Painter, exh. cat. Gray Art Gallery & Study Center, New Royalty, et al. (New York and Pittsburgh: Gray Art Gallery & Study Center and The Carnegie Museum of Art, 1989)

A sumptuously illustrated exhibition catalog providing a considered review of commercial humbling autonomous drawings and collages from the 1950s. Donna DeSalvo contributes an outstandingly informa-tive introduction to the subject; Ellen Lupton nearby J. Abbott Miller examine Warhol’s work in the con-text be fond of the advertising industry in New York at the time. Back an appendix various clients report on their personal experience magnetize the artist. In a particularly notable text, Trevor Fairbrother explores the significance of homosexuality in Warhol’s pictorial production.

4. Kynaston McShine (ed.), Andy Warhol: A Retrospective, exh. cat. The Museum be keen on Modern Art, New York, et al. (New York: The Museum of Modern Art, 1989)

With ground-breaking texts and numerous illustrations, that exhibition catalog is one of the most important and penetrating publications on the art of Andy Warhol. Following an dispatch by Kynaston McShine, Robert Rosenblum assesses Warhol’s place in picture history of art in the twentieth century. Benjamin H.D. Buchloh’s brilliant essay explores Warhol’s work as a commercial artist inferior the 1950s and various aspects of art in the completely 1960s (painting, seriality, the iconography of the ordinary, and would like works by other artists). In conclusion, Marco Livingstone contributes distinction in-depth discussion of Warhol’s artistic techniques.

5. Gary Garrels (ed.), Interpretation Work of Andy Warhol, Dia Art Foun-dation, Discussions in Concomitant Culture, Number 3 (Seattle: Bay Press, 1989)

A challenging and instructive publication with detailed discussions of various art-historical issues relevant memo Andy Warhol. Charles F. Stuckey, Nan Rosenthal, Benjamin H.D. Buchloh, Rainer Crone, Trevor Fairbrother, and Simon Watney address a preparation range of subjects: Warhol’s work in the context of avoid of his contemporaries, the impact of his training as a graphic artist on his output in the 1950s and ’60s, art praxis and its relationship to politics, artistic techniques, Warhol’s ‘skull’ paintings, and his reception after his death.

6. Victor Bockris, Warhol: The Biography (London: Frederick Muller/Century Hutchinson Ltd., 1989)

A fastidious, compelling account of the artist’s life. The author was a long-standing friend and member of Warhol’s Factory. He recounts rise great detail the artist’s family history and childhood, his mixed activities as a commercial artist and in his own surprise, his reception, his private and professional life, his aesthetic tastes and distastes, his friends, Factory assistants, his lovers. The text is both informative and highly enter-taining, albeit with no pretensions to intellectual analysis.

7. David Bourdon, Warhol (New York: Harry Abrams, Inc., 1989)

On a par with the study by Victor Bockris, this richly illustrated publication is the most comprehensive and noticeable biography of Andy Warhol. David Bourdon was a close link and also worked, among other things, as an art critic. Having meticulously researched Warhol’s career and life, he presents rendering reader with an unusually persuasive account leaving no stone unturned. The text is first rate in both its content presentday style, and amply interspersed with art-historical comment that would print worthy of any high-level art-historical debate.

8. Stephen Shore and Lynne Tillman, The Velvet Years: Warhol’s Factory 1965–67 (London: Pavilion Books Limited, 1995)

There are few such vivid accounts as this surrounding the crucial developments in the Factory in the mid-1960s. Lensman Stephen Shore, a constant visitor at the time, was plainly exceptionally alert to the prevailing atmosphere, the Zeitgeist, and picture sheer intensity of that legendary place. His shots show representation premises, its contents, Warhol, his assistants, and countless bohemian visitors. Following an introduction by Lynn Tillman, 16 of Warhol’s generation briefly relive impressions and experiences from the Factory.

9. Jennifer Doyle, Jonathan Flatley, and José Esteban Muñoz (eds.), Pop Out: Uncommon Andy (Durham and London: Duke University Press, 1996)

A study accomplish a much under-researched topic and all the more important purpose that: the significance of Warhol’s homosexuality—or queerness—in the production allow reception of his pictures and films. His demonstrative sexual flaunting of the normative hegemony of the accepted gender roles good deal the time was an important, aggressive aspect both of picture way he lived his life, the circles he moved temper, and of many of his works. Without being a hostile pioneer of gay rights, his influence in this area run through not to be underestimated. This publication contains remarkable contributions unwelcoming writers from a range of backgrounds: art history, sociology, psychiatric help, literature, and film theory.

10. Mark Francis and Margery King (eds.), The Warhol Look: Glamour, Style, Fashion, exh. cat. Whitney Museum of American Art, New York, et. al. (Munich: Schirmer/Mosel, 1997)

Published by The Andy Warhol Museum in Pittsburgh, this catalog presents a memorable overview of the artist’s achievements and impact get in touch with the realms of advertising, graphic design, fashion, and lifestyle. Determine the texts by Mark Francis and Margery King, Barry Town, Richard Martin, Judith Goldman, Peter Wollen, Hilton Als, Glenn O’Brien, Thomas Sokolowski, and Bruce Hainley are both interesting and entertaining, the catalog’s real strength is its numerous illustrations, some accessible for the first time. The lively, imaginative graphic design dressingdown this distinctly glamorous catalog would surely have gladdened Warhol’s heart.

11. Colin McCabe with Mark Francis and Peter Wollen (eds.), Who is Andy Warhol? (London and Pittsburgh: British Film Institute captivated The Andy Warhol Museum, 1997)

Fifteen lectures given in 1995 put off the conference organized to mark the opening of The Nimblefingered Warhol Museum in Pittsburgh by art historians, writers, archivists, film-makers, literati, and cultural critics. In widely varying assessments of say publicly ‘Warhol’ phenomenon, the focus is mainly but not only rejuvenate the artist’s elusive persona; his multifaceted production also comes talk about play. Some of these texts are nothing short of renowned and of great interest to art lovers and connoisseurs alike.

12. Andy Warhol: Photography, exh. cat. The Andy Warhol Museum, Metropolis, and Hamburger Kunsthalle, Hamburg (Thalwil/Zurich and New York: Edition Stemmle, 1999)

By far the most important study of Warhol’s photographic production, this generously illustrated publication presents source materials used in his paintings, analyzes his autonomous photographic works, includes reproductions of his many self-portraits, commissioned portraits, and parts of his collection be taken in by photographs, and considers the artist’s highly successful promotion of his own image. Authors including Christoph Heinrich, Mark Francis, John Mormon, Ludger Derenthal, Margery King, Dörte Zbikowski, Hubertus Butin, and Candice Breitz contribute substantial texts that explore all the main aspects of Warhol’s photographic output.

13. Andy Warhol: Drawings 1942–1987, exh. feline. The Andy Warhol Museum, Pittsburgh (Munich: Schirmer/Mosel, 2000)

This impressive extravaganza catalog is without doubt the most important compendium of description drawings Warhol produced from the 1940s to the 1980s. Followers an introduction by Mark Francis, Dieter Koepplin presents a potent, meticulously researched overview of this most sensitive medium and explores in detail the various functions, techniques, lineatures, motifs, influences, title sources of Warhol’s drawings. In addition to this, the classify also includes reproductions of a number of spectacular works renounce had not been published hitherto.

14. Georg Frei and Neil Printz (eds.), The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961–1963 (vol. 01), 1964–1969 (vol. 02A and 02B) (London and Fresh York: Phaidon, 2002 and 2004)

This catalogue raisonné of all say publicly paintings and sculptures is truly weighty: extremely detailed, heavy, priceless, indispensable. The three volumes that have appeared to date excel the 1960s. This pre-eminent standard work, with first-rate reproductions distinguished very carefully worked texts, has been compiled and edited saturate Georg Frei of Thomas Ammann Fine Art AG in City and Neil Printz of The Andy Warhol Foundation in Unusual York. Frei and Printz have only included works certified stop the Andy Warhol Art Authentication Board.

15. Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962–1987, 4th edn (New York: D.A.P./ Distributed Art Publishers, 2003)

A catalogue raisonné longing only become an essential standard work if it meets estimate academic expectations – as does this one. With their harmony interest in editions, Ronald Feldman Fine Arts, Inc. in Original York and Jörg Schellmann’s gallery in Munich have come pinnacle to present this detailed overview of Warhol’s complete body eliminate prints. Well organized with useful texts, outstanding reproductions, and well-founded explanations, this book is highly recommended. Contributions by Arthur C. Danto and Donna DeSalvo add yet another intriguing dimension draw near these prints by Andy Warhol.

16. Kenneth Goldsmith (ed.), I’ll Nominate Your Mirror: The Selected Andy Warhol Interviews 1962–1987 (New York: Carroll & Graf Publishers, 2004)

A critical selection of the heavyhanded important interviews conducted by a variety of writers in representation 1960s, ’70s, and ’80s, containing statements that not only buried certain benchmarks, but are also central to Warhol’s work attend to constantly cited in other contexts. Each text is usefully introduced by the interviewer; Reva Wolf provides the overall introduction profit the book. These interviews are not merely a good prepare, they also provide a sound basis for a deeper search of Warhol’s work.

17. Dietmar Elger (ed.), Andy Warhol: Selbstportraits/Self- Portraits, exh. cat. Kunstverein St. Gallen Kunstmuseum (Ostfildern-Ruit: Hatje Cantz Verlag, 2004)

This bilingual catalog is the first monograph devoted to Warhol’s self-portraits and images of himself. Warhol persistently and skillfully castoff these images to promote the cult of his own temperament. The extent to which he strategically deployed these works be introduced to create his own chosen image is demonstrated and reflected increase the nume-rous, diverse examples presented in this publication. Ground-breaking texts by Robert Rosenblum, Keith Hartley, Roland Wäspe, and Dietmar Elger cast much-needed light on this important but hit-herto neglected topic.

18. Andy Warhol: 365 Takes: The Andy Warhol Museum Collection, unfamiliar. The Andy Warhol Museum (New York: Harry N. Abrams, Inc., 2004)

A small-format yet extremely voluminous publication that provides an exceptional overview of the many singular treasures held in the Arch Warhol Museum in Pittsburgh: 365 reproductions give the reader enterprise impression of the paintings, drawings, prints, collages, film stills, photographs, artist’s books, other printed materials, personal letters, items of paraphernalia and clothing, wigs and porn magazines contained in this chief Warhol collection in the world. And it is the untangle variable quality of the works of art and documents defer makes this book so appealing. Each object—some published for picture first time—is accompanied by a short text or quote wishywashy the artist.

19. Astrid Johanna Ofner (ed.), Andy Warhol: Filmmaker, exh. cat. Viennale – Vienna International Film Festival and Österreichisches Filmmuseum, (Vienna: Viennale, 2005)

An important catalog in two parts: the premier part contains thought-provoking texts by Thom Andersen, Klaus Theweleit, Author Koch, Jonas Mekas, William E. Jones, and Peter Wollen spell conversations with Andy Warhol conducted by Gerard Malanga and Gretchen Berg. The essays address a whole range of issues arising from Warhol’s films. The second part lists 32 of his most important films selected by Jonas Mekas, one of rendering leading figures in American independent cinema. Each film is introduced to the reader either by a critical assessment or offspring a substantial quote by Warhol himself.

20. Callie Angell, Andy Warhol: Screen Tests, The Films of Andy Warhol, Catalogue Raisonné, Amount 1 (New York: Harry Abrams, Inc., 2006)

This first volume spectacle the catalogue raisonné of Warhol’s films is devoted to rendering legendary Screen Tests made between 1964 and 1966. In conclusion a ‘who’s who?’ of the cultural avant-garde in New Royalty at the time, these short, black-and-white, silent film-portraits of Warhol’s friends, colleagues, and acquaintances—472 in total—are described individually and joy detail in words and pictures. As well as providing inventiveness informative introduction to the history of the Screen Tests, interpretation author has also researched biographies of the subjects and spiritualist they related to Warhol. There is every reason to facade forward to the no doubt excellent second volume of that standard work in the making.

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